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Chillers

Eastern Cape Cinemas Scramble Over Inxeba Threats

Saturday 06:50 · 2 min read Eastern Cape Cinemas Scramble Over Inxeba Threats

Let’s cut the noise, Chillers, because the report coming out of the Eastern Cape screams one thing: fear wins when we let it. Honestly, my bet is that folding to threats sets a precedent we’ll regret sooner than later, though I could be overlooking the immediate safety protocols that keep everyone out of harm’s way.

Does a scared audience deserve better than closed doors?

Eastern Cape cinemas have reportedly cancelled screenings of the film Inxeba, which is also known as The Wound, after threats were allegedly made against the venues. According to sources citing TimesLive and IOL reports, the decision to halt the showings came directly in response to the intimidation targeting the locations. That’s the basic shape of what’s happening, plain and simple.

Eish, it feels like we’re back to square one. When a venue decides to pull the plug based on a threat, it’s not just a movie that loses out; it’s the whole community getting told their interest doesn’t matter compared to a scary message. It reads to me like a capitulation to fear rather than a stand for community dialogue, and I think that’s where management drops the ball.

Why is the silence so loud?

Here’s the thing, though: we don’t know what the threat actors are demanding, or what the exact nature of the intimidation was. That’s fine, I guess, but when information is sparse, panic usually rushes in to fill the gap. And when panic rushes in, the usual suspects start talking about banning films instead of protecting viewers. I reckon that’s where we lose the plot entirely.

No, no, no, we aren’t going to let this slide into ‘it happens’. If the safest place to watch a film is a cinema that won’t open the doors, then we have a breakdown in trust. Mara, supporting the arts isn’t just about watching a movie; it’s about trusting that our spaces remain safe enough for difficult conversations to happen. If every venue decides to play it safe by shutting the gates, we’re left with a culture where only the most comfortable stories get shown. That sounds like a loss to me.

Sources: TimesLive · IOL
Do cinemas have the right to cancel screenings based on anonymous threats to protect safety, or should they refuse to bow to intimidation regardless of the risk?

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